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Dot Dot Dot

. . . is Morse code for the letter S, the content of the transatlantic transmission received at Signal Hill in 1901.

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Dot Dot Dot · Page 11

Take it from moid: Clavicular may be a clown, but the misogyny of young men is no joke

A young man who believes hammering his face bones is actually making him attractive — and who gets attention by demeaning women, acting like a jerk, getting arrested and rage-baiting millions — has been making me wonder a lot about the state of the world, and our immediate future.

Clavicular is the nom-de-stream of a 20-year-old American named Braden Peters, whose handle has become synonymous with a you-can’t-make-this-up trend called looksmaxxing.

This is a thing that has been part of incel culture, itself something we’ve been living with (and studying) for years. It all gets weirder and more dangerous as the years pass.

Incels get their name from supposedly being involuntary celibate. They typically are young men who loathe and mock women, who are seen as not only rejecting incels themselves but their supposed place of being subservient to men. Over the years, the movement has radicalized young men whose rage at the world has turned to horrific violence. In Canada alone, incel culture has been behind the 2018 van attack murders in Toronto and a murder at a Toronto massage parlour in 2020 so severe it was designated terrorism.

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Pitch this: Manuscripts and the speed of a rejection

“Manuscript: something submitted in haste and returned at leisure.”
— Oliver Herford


The quote of the day is about something freelancers will know well. It’s also, alas, a bit of an anachronism.

Gifted in multiple ways and prolific, Oliver Herford was a multiple threat for many years in late 19th and 20th century publishing.

He did a lot of things. He wrote prose, he wrote poetry, he illustrated books, he dabbled in magazines, he wrote books. Quite a career! Project Gutenberg has collected no less than a few dozen of his books.

His illustrations alone appeared in numerous publications. The detail in his work is remarkable, including this one from a series on the alphabet, using Queen Victoria as his muse:

The idea of mailing a manuscript is romantic now, and actually has been for years.

So too is the notion of actually getting it back.

Or, for that matter, getting a call back.

I’ve done freelance work throughout a lot of my career, not only while I had day jobs but especially when I was on my own. I kept myself going for well over a year between 2000 and 2001, and I was struck then by how much I had changed since I was doing a lot of freelancing in the early Nineties.

The biggest change: many pitches, which had moved by that time to email, to newspapers, magazines, etc., would go unanswered. Not a peep. Phone calls would often go to straight to voicemail, and again, not being answered was the norm.

That was a long time ago, and I understand from freelancer friends that things are even worse, as a rule.

When I was handling freelance pitches at CBC in St. John’s, I made it a point — at the very least — to reply to a pitch in writing. I made time for chats, over the phone, by video call or (preferably) in person. If I ever did not reply to a pitch, I truly apologize: I know from first hand experience how disheartening the silence can be.

Another freelancing lesson I brought forward, including when I was editing at the St. John’s Telegram in the late Nineties: I did what I could to expedite payment. It bothered me that I had to nag (and nag) some publications to get paid for work done in some cases months earlier. I couldn’t necessarily speed up how payroll worked at my former employers, but as soon as something was certain and/or met approval criteria, I got the paperwork in to speed up the process.


Clip these wings, please: Those creepy AI videos with dead celebrities need to stop

I think it was the Graham Chapman one that made me laugh out loud.

It was one of those reels that are all over Facebook: AI-generated matchups that “reunite” the supposed original actors with the contemporary versions of the actors.

Except if the actor is dead.

In that case, they usually walk on, flash a smile, embrace or touch their younger self and often wave at the camera … all while sporting wings.

No matter what you believe about the afterlife, if someone is famous or at least was on TV, you get to go to a heaven with wings.

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A thought on letting your heart take the lead

“Pictures just come to my mind and I tell my heart to go ahead.”
— Horace Pippin


The painter Horace Pippin made this comment in an interview for American Artist magazine, published in 1945, the year before his death. One of the foremost Black artists of the 20th century, his subject matter ranged widely, from self portraits to religious themes to racism in Jim Crow America.


Life can be harsh. Feel lighter with video of Australian Kate Bush fans dancing to Wuthering Heights

Here’s a moment of joy for you.

Dozens of people dressed in red, wearing stockings and black sashes, waving their arms just like Kate Bush in the most famous video she made for her 1978 classic Wuthering Heights.

For more than a decade, fans of Bush have been putting off mass communal dances called the Most Wuthering Heights Day Ever. They’ve been held in multiple countries (including Canada), but no one seems to take to them like the Australians.

In Melbourne, apart from getting together and having fun, fans use the event to raise money for an organization that helps women and children get out of abusive situations.

Their numbers, as you’ll see, are well into the hundreds. Here’s the group performance from 2024:

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Peter Gzowski and some of his final thoughts on interviewing — and the patience of the audience

“People will be sympathetic to you if you are thinking out loud. If you seem to be grasping your way, trying to get a handle on what you’re learning and where you want to go next, if you have a long-term plan… for that interview, they’ll follow you. They’ll be patient with you. And my writerly disciplines helped me a great deal in the art or the craft of the radio interview.”
— Peter Gzowski


Months before his death in January 2002, Peter Gzowski made this observation during an interview with CPAC’s Ken Rockburn. You can watch the full interview here.

Gzowski was a remarkable interviewer. There were elements of his style that I really admired; there were others that, to be honest, I found a bit grating. I will say that as I got older, I appreciated his ability to command an interview, and enjoy the opportunities he had through CBC Radio’s Morningside in particular to “go long” with a subject.

I first heard Gzowski growing up, I guess through broadcasts of This Country in the Morning when I was not at school. My mom in particular enjoyed listening to him. Morningside, which he joined in 1982, ran until 1997.

Gzowski was always very proud of his background in print. He got his start (like, ahem, many talented journalists) at a student newspaper, in this case the Varsity at the University of Toronto. He was smart and driven, and it says something he became managing editor at Maclean’s while he was still in his 20s.

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I’m still getting my head around the ultra-violent junior hockey game that dished out 568 penalty minutes

What would you think about a small group of people who started yelling at teenagers in, say, an atrium at a shopping mall? How would you react if they followed the kids up and down the corridors, swearing at them and yelling insults and other abusive language?

No one would put up with it.

And yet it’s much too common at hockey rinks.

So too is fighting on the ice, and off.

The most recent wild example happened this weekend in the Goulds neighbourhood of St. John’s. It was junior hockey, where the age range is from 16 to 21 (depending on when birthdays fall, for the oldest players). In other words, many of the players are still in their teens.

On Saturday, the St. John’s Junior Caps and Southern Shore Junior Breakers played a game in a playoff series, although they did not so much play as beat the crap out of each other.

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Mary Quant on staying ahead of the public’s likelihood to get bored

“All a designer can do is to anticipate a mood before people realize that they are bored. It is simply a matter of getting bored first.”
— Mary Quant


The designer Mary Quant was synonymous with the Swinging Sixties in London, especially for advancing the mini-skirt and other fashions that felt like a liberation from the tighter rules of early years.

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I don’t like your (room) tone, or rather lack of it: Tips for getting better sound

If I were to play you two slightly different versions of a radio news report, or perhaps one for television, I wonder if you could tell the difference. I bet you could.

The content, structure and writing would be the same, the clips would be the same, the length would be the same … and yet one just, well, sounds better.

I’ll cut to the chase. A radio piece with proper mixing will usually sound so much better than one without.

During compare and contrast sessions I’ve seen through the years, a listener will generally prefer the mix with ambient noise included. Asked to identify what’s missing (without having been told the difference), they’ll say the one with just voices sounds “cold” or “sterile” or “flat,” or descriptions of that nature.

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A thought on circumstances

“Regardless of our circumstances, they do not define us — not unless we give in and let them. Circumstances never determine who we are; they reveal who we are.”
— Chuck Pagano


A former player himself, Chuck Pagano found his true calling as a football coach. The quote above comes from his book Sidelined, which covers not only his coaching career, but his battle against cancer.

Last year, Pagano came out of retirement to assist the Indiana Colts coaching staff.


The train, the river and the opening of a classic music documentary

Jazz on a Summer’s Day was released in 1959, and was filmed the preceding summer at the Newport Jazz Festival. Its opening moments combine the dappled, reflected sunshine in a harbour with a jazzy rhythm.

The piece is The Train and the River, performed by the Jimmy Giuffre Trio. Have a look, and a listen.

As jazz combos go, the Jimmy Giuffre Trio — at least at that moment of the late 1950s — was unusual: the leader on saxophones and woodwinds, accompanied by emerging jazz legend Jim Hall on guitar and with Bob Brookmeyer on valve trombone. An earlier iteration had a bassist, but by this point Giuffre was playing without a conventional rhythm section, nor with a piano, either. That certainly set him apart from what was dubbed cool jazz, or just modern jazz.

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A wonderful photographer’s final advice: ‘Travel more. Take pictures. Have a cappuccino’

When I lived in Ottawa, I was always so impressed by the late, great photographer Bruno Schlumberger, who knocked it out of the park over and over and over again for the Citizen.

Schlumberger had already won a National Newspaper Award by the time I moved there. He would win another five — more than any other photographer. The photo above, a 2007 photo of veteran René J. Piché at the National War Memorial, is one of them. (Click here to see more.)

In those mid-Eighties years, the Citizen was — like the Vancouver Sun, Montreal Gazette and Edmonton Journal — part of the Southam newspaper chain, during a time when the editions were thick with ads, rich with editorial content, and gave pride of place to feature photography. Looking back, it feels like a golden time.

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A thought about war and presidents

“We have long since made clear that a state of war is not a blank check for the President when it comes to the rights of the Nation’s citizens.”
— Sandra Day O’Connor


The U.S. Supreme Court justice Sandra Day O’Connor wrote the majority decision in the 2004 case Hamdi v. Rumsfeld. The decision came when an American president was under fire for war in the Middle East, and citizens were furious with a government accused of ignoring due process for citizens.

It does feel a bit timely.


Reading list: Some of the books I’ve read so far this year

Winter is a good time to read. Can’t get around much anymore, to tweak the Duke Ellington standard.

I always love seeing people’s reading suggestions (my want-to-read list is hellaciously long), and I thought it might be helpful to recap quickly some of the books I’ve read or more likely listened to in the first weeks of the year. I keep track of these things over at Goodreads.

So, in no particular order …

Dead and Alive: Essays, by Zadie Smith. I admire her novels, but I think essays may be where Smith brings the full force of her talent. I thoroughly enjoyed this book … especially her takedown of the algorithms of social media and their infernal effects on the young.

The Book of Dust Vol. 1: La Belle Sauvage, by Philip Pullman. A mission this year is to read Pullman’s prequel trilogy to His Dark Materials. One down. Oh, and it’s tremendous.

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A thought on the powerful connections between women

“The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.”
— Adrienne Rich


The poet Adrienne Rich had a long writing career and a busy activist life; for International Women’s Day, it feels appropriate to use this observation from the heady days of the 1970s.

By the time I got to university, Rich was that anomaly: a poet who was well known. Poems like Aunt Jennifer’s Tigers (which she wrote when she a student herself) were widely read, and as I moved into my university studies, I was absorbed by her collection Diving Into the Wreck, which was published in 1973.

Adrienne Rich was born in 1929 and died in 2012. I’m sure her work and words will inspire students and others for many years to come.


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