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Cabot Tower

Dot Dot Dot

. . . is Morse code for the letter S, the content of the transatlantic transmission received at Signal Hill in 1901.

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‘When they met, it was murder’: Some cheesy TV memories of decades past

On my most recent appearance on a trivia episode of CBC Radio’s The Signal with Adam Walsh, I called back to a show that had a particularly cheesy quality.

The actor Lionel Sander, playing Max, laid it on thick for the intro of Hart to Hart, which featured a catchphrase that has lasted well into the 21st century: “Because when they met, it was murder!”

Hart to Hart launched in 1979, and the theme — right down to the chicka-chicka-chicka disco rhythm — is very much of its time.

The show featured a crime-solving industrialist (you read that right) and his freelance journalist wife (not quite as powerful a profession, in my own experience) who each week would do glamorous things.

It was bit like The Thin Man for the Do Ya Think I’m Sexy? era, at least at the start.

Conceived in the late Seventies, Hart to Hart got a jump on the Eighties: it was flashy, conspicuous-consumption fluff, and paired well with Dallas and Fantasy Island. Soon after came Dynasty, Remington Steele and other shows that delivered some light thrills and looked better on the screen than the scripts probably read on the page.

I remember watching Hart to Hart as a teenager, but I gave up on it soon enough. Years later, Robert Wagner and Stefanie Powers teamed up for Hart to Hart reunion movies, but I never tuned in.

I’ll leave you with that cheesy promotional pic at the top, of Wagner and Powers clinking wine glasses in bed (with an ice bucket!) while each holds up a gun.

Against intruders? Master criminals? So much to smile about!


You’ll never walk alone: How a football anthem connects and comforts Alzheimer’s families

There are many songs that came out of the British invasion, but there’s one — a veritable anthem to this day for football fans in the United Kingdom — that often comes to mind when I think about Alzheimer’s disease. 

Gerry and the Pacemakers released a cover of the Broadway tune You’ll Never Walk Alone in the fall of 1963, just as Merseybeat was cresting in England, and shortly before Beatlemania swept the U.S. 

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Mordecai Richler and the dilemma of the voracious reader

“I was a voracious reader, but you would be mistaken if you took that as evidence of my quality.”
— Mordecai Richler


The phrase “voracious reader” can be a loaded one, often without meaning to be. It’s a phrase I’ve read many times in obituaries (a quality to describe how the deceased loved their books), and it’s probably a way I’ve described myself. “Avid reader” is more suitable, but I’ll cop to the V-word, too.

The quote above comes from Canadian novelist Mordecai Richler’s final novel, Barney’s Version, which focuses on an aging, cantankerous Montreal man (sound familiar?) who is turning his attention to his memoirs — even though his memory is failing him.

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Art Spiegelman tried to ditch the family Thomas the Tank Engine books

“I guess I don’t subscribe to the twee school. I remember trying to lose our copy of Thomas the Tank Engine before I had to read it again. Life is a more dimensional and interesting affair than vestigially Victorian notions of childhood. I was trying to make something substantial, something to be read and reread.”
— Art Spiegelman


Art Spiegelman’s diss of the Thomas the Tank Engine books appeared in a fairly short New York magazine piece published in 2008.

I get it, although I should note that both Thomas volumes and Spiegelman’s work, especially Maus and its siblings, were books that our kid Nick read, obviously at different points of their childhood. I can’t actually see a straight line there, all these years later, but Nick’s curiosity took them around a lot of shelves in libraries and bookstores.

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Give them your light: My friend’s lessons will ring true, long after his death

What kind of person was David Feder? I learned a story this morning, when I was watching the recording of his funeral, which was held Tuesday in St. John’s.

When he was recovering from one of his hip surgeries, he used to walk from his home on Forest Road to the Dominion store by Quidi Vidi Lake — not to shop, but to push a cart around as part of his recovery, like a kind of walker.

The priest said he would do this up to three times a day, and he came to know the staff — who surely had noticed a man pacing the aisles with a cart. Not surprisingly, Dave became friends with them.

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Carl Sagan on what strong emotions can do to you (and to rational thought)

“Where we have strong emotions, we’re liable to fool ourselves.”
— Carl Sagan


Carl Sagan uttered these words in the groundbreaking TV series Cosmos, which aired on PBS in the fall of 1980. Sagan’s documentaries, and the accompanying bestselling book, had the unusual effect of turning a scientist into a celebrity.

It’s important to note the popular impact of Sagan’s work. While the series was airing, he appeared on the cover of Time magazine, itself a marker of the zeitgeist, a pinnacle no doubt for a person’s career or of something commanding public attention.

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My scarf of many colours (and the gift that took my breath away)

Here’s a story about a gift that left me speechless. Well, for a good few moments.

Years ago, I had a wonderful scarf — until I no longer did.

It was long, warm, striped and rich in chromatic colours, and I wore it everywhere. It was warm and great in cold, windy weather … ideal, then for eastern Newfoundland and its skin-stripping winds. I also liked that there was at least one colour in the scarf that went with pretty much anything I could wear.

Somewhere along the line, though, I lost it. I think it slipped out of the arm of a coat after I hung it up. Who knows.

Martha had found the original in England; I spent some time searching retail websites for another. Eventually, I parked the notion and moved on.

Fast-forward to last Christmas.

Nick, our child, and their partner Mary presented me with a handmade scarf, which emulates the lost treasure. It’s the one on the right.

Mary crocheted it, one colour at a time. Nick had combed through their family photos, looking for glimpses of me wearing it, trying to figure out not just the precise shades but the sequence.

I was both impressed and grateful. It’s tucked away now at the top of our front closet, and goodness knows, it won’t be long before I pluck it out again.

Thanks, Nicole and Mary: you are the very, very best.


Yes, and: How improv comedy helps me with my mom’s Alzheimer’s 

It might seem unusual, but I’ve been leaning into the main rule of improvisational comedy as a way of helping my mom, especially in moments when her Alzheimer’s disease is posing a challenge. 

A few things to explain. Even though I haven’t done much improv myself, I love the field and have read a lot about it. (In fact, I’m in the midst of another book, Sam Wasson’s Improv Nation, which is about the roots of a comedy form that has influenced entertainment around the world.)

The principle of improv comes down to two words: Yes, and… 

They’re both important.

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Revisiting Julia Gillard’s misogyny speech, and its impact around the world

“I will not be lectured about sexism and misogyny by this man. I will not. And the government will not be lectured about sexism and misogyny by this man. Not now, not ever. The leader of the Opposition says that people who hold sexist views and who are misogynists are not appropriate for high office. Well, I hope the leader of the Opposition has got a piece of paper and he is writing out his resignation, because if he wants to know what misogyny looks like in modern Australia he does not need a motion in the House of Representatives; he needs a mirror.”
— Julia Gillard


Occasionally, there’s a moment in politics when more than just words are said out loud. It’s a moment, or a pivot point, or a line that marks “before” and after,” or something that just capture’s the world’s attention, if not its imagination.

Julia Gillard’s fiery takedown of political opponent Tony Abbott in 2012 was so visceral and has become so legendary, it’s often just called her “misogyny speech.” The moment even has its own Wikipedia page.

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Nabokov’s caution to writers and other artists (and politicians, too)

“For better or worse, it is the commentator who has the last word.”
— Vladimir Nabokov


This observation from Vladimir Nabokov is spoken by one of the Russian-American novelist’s characters, and not a nice one, either. (The author himself was a bit of a piece of work, to be fair.)

In Pale Fire, a lengthy unpublished poem is left behind by a poet named John Shade. The work is brought to the public — but is thoroughly changed in “editing” by his neighbour, an academic (his profession is no coincidence) named Charles Kinbote.

Kinbote makes the comment while justifying himself, and it seems to be Nabokov’s commentary on intellectuals vs. artists, creators vs. interpreters.

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P.D. James understood that people are kind — but within limits

“One should never trespass on kindness. Human kindness is like a defective tap: the first gush may be impressive, but the stream soon dries up.”
— P.D. James


I had come across a truncated version of this quote from the British mystery writer P.D. James, and was curious about context. It brought me back to her 1989 novel Devices and Desires, in which her famed poet-detective Adam Dalgliesh goes to the Norfolk coast to investigate a murder near a nuclear power plant, all while a serial killer is also on the loose.

The quote comes from a minor yet vitally important character named Jonah — a vagabond and a bit of a rover, who relies on area farmers and their generosity, offering to buy a couple of eggs and a pint of milk while expecting to be given significantly more, including a warm night in a barn.

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John Waters takes aim at dramatic overuse of the word ‘journey’

“I hate it when actors use the word ‘journey.’ That’s not a f–king journey, winning a Spirit Award. Escaping from Ukraine is.”
— John Waters


I’ve been a fan of John Waters and his trashy-chic aesthetic and persona for a long time. His 1986 collection of essays Crackpot was influential on me in my early 20s, and thereafter; he has a way of being arch and affecting, sometimes in the same moment. He’s better known for his movies (Pink Flamingos, Hairspray) than for his writing, but they’re worth checking out.

The observation above came from Waters’s appearance earlier this month on the Las Culturistas podcast, when he unveiled a list of grievances to hosts Bowen Yang and Matt Rogers.

He has a point with the word “journey,” and it’s far from actors who use it too much or inappropriately. It’s a bit of a bugbear for me, because the word is used so often now, and in almost any context, that it has lost its impact.

Here’s a link to the Las Culturistas episode.


Speaking up for the creatures who cannot chirp, squawk, shriek or trill for themselves

“The other creatures with which we share this world have their rights too, but not speaking our language, they have no voice, no vote; it is our moral duty to take care of them.”
— Roger Tory Peterson


When I was growing up, the books of Roger Tory Peterson seemed to appear in the houses of friends where at least someone in the family was into birdwatching — or, perhaps, wanted to be.

My dad kept a pair of binoculars by the den window, and had at least one of Peterson’s books nearby, but I honestly can’t remember talking with him about the American conservationist and artist, whose exquisite drawings remain a gold standard for detail and observation.

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Here’s why Marianne Faithfull’s legacy will endure for generations

“Never apologize, never explain — didn’t we always say that? Well, I haven’t and I don’t.”
— Marianne Faithfull


Those words appear in the first of Marianne Faithfull’s memoirs, Faithfull: An Autobiography, which was published in 1994. By that time, Faithfull had been through a few career renaissances and reinventions, but was still in the throes of a series of addictions that have been somewhat synonymous with her name.

She beat back the addictions, ignored the haters, performed what she wanted and how, and aged rather gracefully, which is impressive considering that her life included tragedies, homelessness and more than two decades of being hooked on narcotics.

She died in January 2025. I have a feeling music fans will be talking about her, and listening to the breadth of her vast catalogue, for decades to come.

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Notes from Spain: Yes, sir, that British audioguide will work just fine

Language can get in the way when you travel to another country, and that apparently can involve some Americans who would prefer to speak English their own way, thank you very much.

We were at Casa Battló in Barcelona, a remarkable bit of architecture I wrote about in this post. The operators offer an audioguide, and while in the queue to get a pair, we were standing near an American man who suddenly got rather panicky.

“I need English,” he was exclaiming, while looking at the language options.

The clerk assured him that English was provided, and pointed to the icon for the Union Jack, near the flags of other nations to indicate guests can also listen in German, Japanese, Italian and numerous other languages.

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