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Dot Dot Dot

. . . is Morse code for the letter S, the content of the transatlantic transmission received at Signal Hill in 1901.

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Dot Dot Dot · Page 7

A thought on the fear of being left alone

“I don’t know if anyone has noticed but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with our person and thus no longer alone, the devastation of being left alone. The need to hear the words: You are not alone.”
— Shonda Rhimes


These words from writer-producer Shonda Rhimes appear in her book Year of Yes, which was published in 2015, and which I heard as an audiobook a few years ago.

I’d recommend it. I’m not the biggest habitué of Shondaland (I never watched Gray’s Anatomy, but I’ll tag along to Bridgerton, and I thought Scandal had its over-the-top moments), though I admire Rhimes’s pluck and talent.

The book is about her decision to start saying yes to things she didn’t want to do, some of which scared her. This quote speaks to a very human need, for connection, and also shows a writerly insight in her own work.


Robert Frost, and that potent em dash in his most misunderstood poem

Oh, the poor em dash. Often overused by writers like me, it’s now become a symbol of cheating, a giveaway that someone had an AI like ChatGPT whip up an essay for them.

Pity, because the em dash is a powerful bit of punctuation — particularly when used well. I do like using it, and am enough of a nerd to know that the name em dash comes from its width; it’s the same in typography as the letter M, just as the en dash is the width of the letter N. I also know my shortcuts — shift-option-dash on my Mac, Alt 0151 on a PC keyboard — so well that they’re second nature.

Today, I wanted to look at one of its most famous (and I think overlooked) uses of the em dash in American literature.

Robert Frost, who died in January 1963, is still a giant in literature. Today, I want to consider a part of his legacy — and the magnificently ambiguous gift he gave us with the use of punctuation.

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Natalie Merchant on being thankful to our mothers’ generation

“I wanted to create a woman who would be representative of my mother’s generation, because these women are leaving us, and I feel a great debt of gratitude to them. Not only was I raised by a woman of that generation, but I have so many surrogate mothers of that generation, too. And I think as a society we owe so much to them — they really moved us forward in so many ways.”
— Natalie Merchant

The singer and songwriter Natalie Merchant is talking here about Sister Tilly, a beautiful song that appears on her 2023 album Keep Your Courage. [Click here to read the full interview with Paste.]

Merchant, now 62, is speaking for my own generation here, too. I feel the same way about my mother — who is now 93 — and her diminishing circle of friends and peers.

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Saturday digest: Booze in the news, with sinking sales and tariff-caused chaos

If there’s an industry that could use a proverbial drink, it’s the booze industry in the United States.

Consider this. American wine and beer exports fell in 2025, and fell hard — a drop of US $472 million, or a stunning 26 per cent from the year before.

That’s according to data released this week from the U.S. Census Bureau, and there’s more:

The Census’s “Alcoholic beverages, excluding wine” category also saw a major decrease in exports — its $2.8 billion total represents a $215 million slump from 2024 to 2025.

The U.S. government did rake in some big bucks from tariffs on foreign wine, at US $492 million. But as economists underscore, this has largely led to a tax that consumers there ultimately have to pay.

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A thought on writing (and not revising until the draft is done)

“I learned this lesson too late, frankly: Do not judge it while you’re doing it. Do not go back and fix things that are 20 pages ago when you’re already 20 pages past that. You’ll do that later. Hustle to that finish line, get that thing done.”
— Brendan Hunt


He plays Coach Beard on Ted Lasso, and behind the scenes, Brendan Hunt is also one of the show’s writers and key producers.

This quote — some advice for writers for the screen or otherwise — is drawn from an interview he and Jason Sudeikis gave to the trade publication Backstage in 2021.


Like a deer in the headlights, this cabinet minister couldn’t explain his own steep cuts

Most journalists are accustomed to encountering a politician who is thrown by a question, or who seems uncertain while formulating an answer.

Occasionally, though, you get the “deer in the headlights” look, with a politician seemingly unprepared for the entire thing, and at a loss to answer most questions with anything behind the boilerplate talking points drilled into them during a comms briefing.

That happened this week when Nova Scotia’s rookie minister of tourism and culture fielded reporters’ questions about dramatic cuts to hundreds of community groups and arts programs — and appeared either unable or unwilling to answer them.

Tim Houston’s government is dealing with a $1.2-billion deficit. The new budget lays out about $130 million in program cuts.

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A thought on propaganda, and who craves it

“Only the mob and the elite can be attracted by the momentum of totalitarianism itself. The masses have to be won by propaganda.”
— Hannah Arendt


Hannah Arendt, who had an enormous influence on what people made of tyranny in the 20th century, wrote these words in her 1951 book The Burden of Our Time, which was published in the U.S. and elsewhere as The Origins of Totalitarianism. So many of her insights, about what she witnessed watching fascists before, during and after the Second World War, remains timely.

There is a still a demand for her work. I’ve been waiting since July via the Libby app to read this book through my local library.


When you feel under siege in winter, here’s what you need to do

We’re having a record-setting time in the St. John’s metro area this month. A few days ago, we passed the mark of 170.2 centimetres of accumulated snowfall, making it the snowiest February since record-keeping got underway.

(The photo above, by the way, is of a home in Mount Pearl, and was shared on meteorologist Eddie Sheerr’s Facebook page.)

We’ve definitely been having intense feelings: snowfall after snowfall after snowfall, it all adds up. Schools were closed for three days this week (a bit longer than some parents would like) so that crews can widen streets and dig into sidewalks where kids need them most. (There is an awful lot left to do.)

We’ve had worse winters. A record-keeper for the whole season was in 2000-2001, when a staggering 648.4 centimetres dumped down over consecutive months. That December alone was a record-setter. What I remember also is that the snow just kept piling up and up and up.

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A clever thought about a stupid reputation

“The great advantage of having a reputation for being stupid: people are less suspicious of you.”
— Richard Curtis


These words come out of the mouth of Tom, the richer-than-rich, loyal and slightly daft friend in the Four Weddings and a Funeral ensemble.

Tom was played by James Fleet, who a few months after the release of Four Weddings in 1994 went on to play a similar role: Hugo, the lovable richer-than-rich parish council member in The Vicar of Dibley, destined to be dogged by his boor of a father and loved by Alice, the slightly (well, maybe very) daft verger.

That show was also written by Richard Curtis, who has long had a way of slipping wisdom into his funny lines. Curtis has had a legendary career: creating Mr. Bean with Rowan Atkinson; creating and writing the Blackadder shows (another Atkinson star turn); writing and directing Love Actually, which comes around every Christmas; and helping to launch Red Nose Day and Comic Relief, both of which are still going concerns. One of my favourite of his movies is About Time, which has a father-son theme that is more resonant now that my own dad is gone.

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Ragged tires burn for miles, I ran until it hurt: Beirut’s Perth

Beirut is the band in which Zach Condon expresses his ideas, or gets a few things out of his system. Like, say, divorce.

Perth is a song released on Beirut’s album No No No in 2015; hard to believe a decade (and more) has gone by. It’s a song Condon said was inspired by being in Australia, and feeling like he needed to get out of his head.

Last night I combed the earth
You saw me at my worst
Ragged tires burn for miles
I ran until it hurt

Serious stuff (Condon was admitted to hospital in Australia for exhaustion), and yet the song has such an upbeat vibe.

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A thought on habits

“Curious things, habits. People themselves never knew they had them.”
— Agatha Christie


Composed for the short story Witness for the Prosecution (later a play, and later adapted several times for the screen), this insight from Agatha Christie is just one revelation of human nature in her work.


Why I say that someone died, and not ‘passed away’

I have written plenty of obituaries over my time, and by that I mean news stories about public figures whose lives were remarkable. I also wrote or edited many articles involving death.

There’s a language preference that I have that I know strikes some people as cold. I generally wrote that someone died, plain and simple. Like many journalists, I don’t much care for a phrase like “pass away.” It’s a euphemism.

“Died” is not rude, nor is it unnecessarily blunt.

It’s factual. It’s true. It’s also a clear, fair way to write about a subject.

By the way, I don’t object to when I hear others say something like “passed away” in conversation. Indeed, my wife and I found it charming when a financial planner used the phrase “meeting the angels” as a wink to an inevitable part of the process.

But in writing, for me, it’s best to be clear and straight forward. In the same way I respect medical examiners who strive for identifying truth in death, I feel journalists should be factual in what we write.

This point is made in various journalistic style guides. The CBC Language Guide (which I used for many years) is in line with other newspapers, broadcasters and wire services, including The Associated Press, which once put it this way in a post: “While many people use softer phrases like passed on or passed away, AP style does not use such euphemisms except in direct quotations. We suggest being clear and direct with the words death or died.”

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A thought on failure, science and resisting instant gratification

“It is very well known that you learn more from failure—when things are not working well… It is very important not to focus on success—it’s so rare. If you want instant gratification, don’t be a scientist, because you won’t get that. You try many things and you don’t know whether something is doable or not. But this is being a scientist. We are doing things that nobody has done before, and we don’t know whether it is possible.”
— Katalin Karikó


A Nobel laureate, Katalin Karikó has certainly known both failure and stunning success. I read her memoir, Breaking Through: My Life in Science, earlier this year, and found her story absorbing, even though I knew the broad strokes from media coverage over the last five years.

Born in rural Hungary, Karikó eventually came to the United States, but ran into indifference and worse as she persisted in exploring mRNA.

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New on podcasts: Sharon Bala takes on international aid, Alan Doyle on chill celeb culture in St. John’s

Here’s a quick look at some podcasts that might be worthy of your ears.

I’m really looking forward to reading the new novel from St. John’s writer Sharon Bala. Good Guys evidently takes a swipe at the international aid racket, and involves a fictional Toronto-based organization working in a fictional Latin American nation.

On her podcast Shelf Esteem, Trudy Morgan-Cole sat down with Bala, who noted that some of the roots of the novel come out of her (very different, fortunately) experiences working in communications for non-profits. Those experiences were not the stuff in the novel, but as she says, “It’s difficult to see how the sausage is made and never knowing that again.”

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A thought on about how bureaucracy can be so defensive

“Bureaucracy defends the status quo long past the time when the quo has lost its status.”
Laurence J. Peter


Born in Vancouver, Peter found fame in the United States, and became well enough known that one of his inventions — the Peter principle — has long outlived him. A bestseller after its publication in 1969 (Laurence teamed up with writer Raymond Hull, who turned his ideas into a manuscript), The Peter Principle held (as a paperback version put it) that “every employee tends to rise to his level of incompetence.”

Subsequent research has shown that there’s something to it; some researchers found, for instance, that people great at sales can make for poor choices as managers.

Peter died in 1990. He was 70.